{"id":8555,"date":"2013-04-02T13:54:44","date_gmt":"2013-04-02T11:54:44","guid":{"rendered":"http:\/\/fa86.noblogs.org\/?p=8555"},"modified":"2013-04-02T14:03:48","modified_gmt":"2013-04-02T12:03:48","slug":"kim-min-ki-kamum-la-secheresse","status":"publish","type":"post","link":"https:\/\/fa86.noblogs.org\/?p=8555","title":{"rendered":"KIM Min-ki – Kamum (la s\u00e9cheresse)"},"content":{"rendered":"
\"KIM<\/a>
KIM Min-ki<\/figcaption><\/figure>\n

NdPN<\/strong> : KIM Min-ki est un chanteur et un militant activiste. Ses chansons ont toutes \u00e9t\u00e9 censur\u00e9es par le gouvernement sud-cor\u00e9en. Il a cess\u00e9 de chanter dans les ann\u00e9es 1990 et fait aujourd’hui du th\u00e9\u00e2tre.<\/em><\/p>\n

Cette chanson c\u00e9l\u00e8bre et triste,\u00a0 Kamum (la s\u00e9cheresse), \u00e9voque les souffrances des Cor\u00e9en-ne-s. Elle peut aussi \u00e9voquer la r\u00e9pression sous la dictature. Elle a \u00e9t\u00e9 tr\u00e8s chant\u00e9e par les \u00e9tudiant-e-s r\u00e9volt\u00e9-e-s, le poing lev\u00e9, notamment \u00e0 Gwangju lors de la r\u00e9pression sanglante de mai 1980.<\/em><\/p>\n

\"Le<\/a>
Le 18 mai 1980 \u00e0 Gwangju, le gouvernement sud-cor\u00e9en r\u00e9prime dans le sang la r\u00e9volte \u00e9tudiante contre la dictature de TCHON Du-hwan<\/figcaption><\/figure>\n

Voici une vid\u00e9o plus r\u00e9cente d’\u00e9tudiant-e-s reprenant la chanson censur\u00e9e, avec accompagnement aux percussions traditionnelles (jing, buk, janggu, kkwaenggwari) :<\/em><\/p>\n

http:\/\/youtu.be\/Pjzy6o3cYe4<\/a><\/p>\n

Note\u00a0: la transcription qui suit, du hangeul (alphabet cor\u00e9en) au fran\u00e7ais, vise \u00e0 simplifier la prononciation. Le \u00ab\u00a0\u00f4\u00a0\u00bb signale ici un o ferm\u00e9, le \u00ab\u00a0o\u00a0\u00bb signale un o ouvert.<\/em><\/p>\n

\uae40\ubbfc\uae30 – \uac00 \ubb44<\/strong><\/p>\n

Kim Min-ki\u2013 Kamoum<\/strong><\/p>\n

Kim Min-ki- S\u00e9cheresse<\/strong><\/em><\/p>\n

COUPLET 1<\/strong><\/p>\n

\uac08\uc232 \uc9c0\ub098\uc11c \uc0b0\uae38\ub85c \uc811\uc5b4 \ub4e4\uc5b4\uac00<\/p>\n

kalsup minasso sankill\u00f4 tchobo teuloga<\/p>\n

apr\u00e8s le champ de roseaux, au d\u00e9but du chemin de montagne<\/em><\/p>\n

\uba87\uad6c\ube44 \ub118\uc73c\ub2c8 \ub113\uc740 \uacf3\uc774 \uc5f4\ub9ac\ub09c\ub2e4<\/p>\n

myot koubi nomeuni nolbeun g\u00f4shi myollinanda<\/p>\n

passant par les collines, il y a un grand espace<\/em><\/p>\n

\uae38\uc136\uc5d0 \ud53c\uc778 \uaf43 \uc5b4\ucc0c \uc774\ub9ac\ub3c4 \uace0\uc6b0\ub0d0<\/p>\n

kil sop-\u00e9 piin k\u00f4t otch’i ilid\u00f4 g\u00f4-ounya<\/p>\n

quelles belles fleurs sauvages<\/em><\/p>\n

\uacf5\uc911\uc5d0 \ucc2c \ubc14\ub78c\uc740 \uc7a0\uc798 \uc904\uc740 \ubaa8\ub974\ub09c\ub2e4<\/p>\n

k\u00f4’ng tchoung-\u00e9 tch’an balameun tcham tchal tchouleun moleunanda<\/p>\n

le vent froid ne cesse d’y souffler<\/em><\/p>\n

REFRAIN :<\/strong><\/p>\n

\uc5d0\ud5e4\uc57c \uc5bc\ub77c\ub9ac\uc57c<\/p>\n

\u00e8 h\u00e8 ya ollaliya<\/p>\n

\uc5bc\ub77c\ub9ac\ub09c\ub2e4 \uc5d0\ud5e4\uc57c<\/p>\n

ollalinanda \u00e8 h\u00e8 ya<\/p>\n

(Les deux premi\u00e8res lignes sont une onomatop\u00e9e \u00e9voquant les percussions cor\u00e9ennes traditionnelles)<\/em><\/p>\n

\ud145\ube48 \uc9c0\uac8c\uc5d0 \uac08\uc78e\ubb3c\uace0 \ub098\ub294 \uac04\ub2e4<\/p>\n

tto’ngbin tchig\u00e9-\u00e9 gal ip moulgo kaneun kanda<\/p>\n

je vais, ma hotte vide, mordant un brin d’herbe morte \u00e0 ma bouche<\/em><\/p>\n

COUPLET 2<\/strong><\/p>\n

\uc624\ub79c \uac00\ubb44\uc5d0 \ub17c\ub3c4 \ubc2d\ub3c4 \ub2e4 \uac08\ub77c\uc9c0\uace0<\/p>\n

\u00f4l\u00e8n kamum-\u00e9 no’ndo batto da kallatchigo<\/p>\n

la rizi\u00e8re et le champ se sont fendus du fait de la longue s\u00e9cheresse<\/em><\/p>\n

\uba54\ub9c8\ub978 \ub17c\ub450\ub801\uc5d4 \ub4e4\uc950\ub4e4\ub9cc \uae30\uc5b4\uac04\ub2e4<\/p>\n

m\u00e8 maleun n\u00f4’ndoulong-\u00e9n teultchoui teulman kioganda<\/p>\n

il n’y a que des rats des champs aux bords des rizi\u00e8res<\/em><\/p>\n

\uc8fd\uc8fd \ub300\ub098\ubb34\uc57c \uc5b4\ucc0c \uc774\ub9ac\ub3c4 \uc8fd\uc5c8\ub0d0<\/p>\n

tchouk tchouk t\u00e8namou-ya otch’i ilid\u00f4 tcchoukonnya<\/p>\n

pourquoi es-tu mort, mort comme \u00e7a, bambou<\/em><\/p>\n

\uc61b\uc9d1 \ucd94\ub140\uc5d4 \uc774\ub07c\ub9c8\uc800 \ub9d0\ub77c \ubc84\ub838\ub124<\/p>\n

y\u00e9tch’ip tch’ouny\u00f4-\u00e9n ikkimadjo malla bolyonn\u00e9<\/p>\n

m\u00eame la mousse, \u00e0 l’avant des toits, est dess\u00e9ch\u00e9e<\/em><\/p>\n

REFRAIN<\/strong><\/p>\n

COUPLET 3<\/strong><\/p>\n

\uc774 \uac00\ubb44 \uc5b8\uc81c \ub05d\ub098 \ubb34\uc2a8 \uc7a5\ub9c8 \ub610 \uc9c0\ub824\ub098<\/p>\n

i kamoum ondj\u00e9 kkeunna musseun tchangma tt\u00f4 tchilyona<\/p>\n

quand cette s\u00e9cheresse se finira, quelle pluie s’ensuivra<\/em><\/p>\n

\ud574\uc57c\ud574\uc57c \ubb34\uc815\ud55c \ub188\uc544 \uc7a6\uc744 \uc904\uc744 \ubaa8\ub974\ub09c\ub2e4<\/p>\n

h\u00e8ya h\u00e8ya mudjo’nghan n\u00f4ma tchadjeul tchuleul moleunanda<\/p>\n

le soleil, manquant de c\u0153ur, n’arr\u00eate pas de briller<\/em><\/p>\n

\uac78\uac78 \uac78\uc74c\uc544 \ubb34\uc2ec\ud55c \uc774 \ub0b4 \uac78\uc74c\uc544<\/p>\n

kol kol koleuma moushimhan-i n\u00e8 koleuma<\/p>\n

je marche, je marche, pourquoi je n’arr\u00eate pas de marcher<\/em><\/p>\n

\ud765\ud765 \ud765\uacb9\ub2e4 \uc124\uc6c0\uc5d0 \uaca8\uc6cc \ud765\uacb9\ub2e4<\/p>\n

houm houm houm gyopta soloum-\u00e9 gyowo heung kyopta<\/p>\n

c’est amusant, amusant, je m’amuse avec le chagrin<\/em><\/p>\n

REFRAIN<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

NdPN : KIM Min-ki est un chanteur et un militant activiste. Ses chansons ont toutes \u00e9t\u00e9 censur\u00e9es par le gouvernement sud-cor\u00e9en. Il a cess\u00e9 de chanter dans les ann\u00e9es 1990 et fait aujourd’hui du th\u00e9\u00e2tre. Cette chanson c\u00e9l\u00e8bre et triste,\u00a0 Kamum (la s\u00e9cheresse), \u00e9voque les souffrances des Cor\u00e9en-ne-s. Elle peut aussi \u00e9voquer la r\u00e9pression sous … Continuer la lecture de KIM Min-ki – Kamum (la s\u00e9cheresse)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2691,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,17,11,16],"tags":[],"class_list":["post-8555","post","type-post","status-publish","format-standard","hentry","category-ecrits","category-education-populaire","category-ni-patrie-ni-frontiere","category-repression"],"_links":{"self":[{"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/posts\/8555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/users\/2691"}],"replies":[{"embeddable":true,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8555"}],"version-history":[{"count":5,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/posts\/8555\/revisions"}],"predecessor-version":[{"id":8558,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=\/wp\/v2\/posts\/8555\/revisions\/8558"}],"wp:attachment":[{"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fa86.noblogs.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}